a new low in topical enlightenment

Showing posts with label world war II. Show all posts
Showing posts with label world war II. Show all posts

Tuesday, April 20, 2010

Issue #42 (April 21, 2010)


City Hall, Los Angeles


Photo by Chris Collins


















Liberté, Fraternité . . . Solidarité (Jews Need Not Apply);
or, Finally! A Holocaust Film Worse Than Schindler’s List


By Carolyn Heinze









To speak of grocery-shopping in Paris, we must speak of war. To speak of war, I’d like to propose the Parisian grocery store. Ever been grocery-shopping in Paris? No, not in the, ‘Chéri, let’s buy a bottle of water before we climb that big set of steps leading up to Sacré Coeur,’ kind of way. And no, not in the, ‘Chou-chou, let’s hit that cute-typique-authentiquebakery shop and that cute-typique-authentique cheese shop and that cute-typique-authentique wine shop and that cute-authentique-typique butcher shop with the cute-typique-authentique French butcher with the chubby red face and the chubby black moustache and the chubby red pencil behind his chubby pink ear, so we can bring it all back to our sublet vacation rental in the Marais – sooo typique !! – and play chubby wooden-beamed French house,’ kind of way, either. I mean, really grocery-shopping?

You’re missing out. And not just on the cheap wine. Because if you live here and love here and exist here and subsist here and go grocery-shopping here, on a regular basis, regularly, you’re a damned-by-default social commentator. No, non, you’re a philosopher. No, non, excusez-moi, you’re a sociologist. With a minor in philosophy and another minor in social commentary and a major in patience, and . . . Well, bref. If you’re paying attention, patiently, while you’re grocery-shopping in Paris, you only have to go a few times to know more than Alexis de Tocqueville ever gathered about democracy and/or the United States and Bernard Henri-Levy will ever gather about anything, including how to achieve wispy-wavy-wistfully philosophical, democratically dramatic French hair.

I’m talking Monoprix (when your deadbeat clients finally pay you) and Franprix (when your deadbeat clients say they’re going to pay you, and offer a check number and mail date and everything) and E.D. (when you start asking yourself if your deadbeat clients are ever going to pay you) and Leader Price (when you finally conclude that your deadbeat clients are just a bunch of damn deadbeats, and that from them you are going to see the dough, le pognon, le fric, le blé never, ever, plus jamais, again). Because: if you look and you watch and you observe and you see, and you’re in a grocery store in Paris, you’ve pretty much got a handle on French society. And how it works. And how it doesn’t work. And how it sort-of works. And how it is.

Let’s take a step back, back behind the safety of the Maginot Expess Line. You know how some countries are called The People’s Republic Of Wherever and The People never have a say in anything? Or how some other countries have snappy-smart slogans about progress and achievement and freedom and justice but the word-count limit doesn’t allow for the part about ‘for those with Swiss bank accounts?’ France has a slogan, too, you know: Liberté, Égalité, Fraternité. Means ‘liberty, equality, fraternity’ in English. Or, ‘liberty, equality, brotherhood,’ but that latter translation always pisses the feminists off. Anyway, France has a slogan, and I feel sorry for the poor slob who wrote it. His word-count limit was strict! Because there’s another word the French really love, and that’s solidarité. In English, it means ‘solidarity;’ in French, it means chacun pour sa gueule. Which is just a slightly less-polite way of saying every man for himself. Or every woman for herself. Sorry.

Again, grocery-shopping in Paris? C’est la guerre. As you may recall, the French know War. Or at least they’ve been in and around and beside and above and underneath and in the vicinity of one or two. And just like good old-fashioned fix-your-bayonet-and-off-we-go trench-warfare, the Battle of le Supermarché demands its own set of weapons and warfare and strategies and tactics and torture and Machiavellian/Sun Tzu-esque art. Because there are buggy-blockades and basket-caches, and unstoppable tank-like caddy-chariots and knee-capping baby strollers weighed down with fierce French babies, and even dual-strollers and dual-babies, and their single mothers and their elbows . . . dual-elbows . . . . and tsk-tsks and oh là là’s and hurled insults and free zones and occupied territories and collaborators and collateral damage and denunciations and friendly fire and plain-old prison-camp psychology when all you’re trying to do is stand in line. Or tunnel out. It’s a jungle out there – or in there, as it were – and silly is the soldier without a strategy all their own. Un pour tous, tous pour un ! Chacun pour sa gueule ! Solidarity forever! Bombs and baskets and buggies away!!

In Germany, even though the grocery stores are a bit more – how you say? – civilisés, they can’t stop talking about war. Especially that Second Big One of theirs. In France, they talk about war, too, every now and then, quite often, sometimes, and sometimes, quite often, every now and then it’s about the Second Big One as well, but that’s mainly on the Arte TV channel (where every Wednesday night is Nazi Night – don’t forget the schnitzel!) and one mainly surmises that that’s because, mainly, Arte is half-owned by the Germans. Because while the Germans are mainly trying to remember so that they mainly don’t forget, the French would like to forget mainly. Not the entirety of war per se, and not the Second Big One, entirely, but there are a few specific specifics, a few damning details, a handful of horrifically horrible horrendous horrors that mainly place into question the real French definition of the term solidarité. Like: Did L’Academie Française quietly declare it synonymous with collaboration somewhere between, say, 1939 and 1945?

Not a question posed in director Roselyne Bosch’s new film, La rafle. In fact, more to the point, La rafle poses few questions. In point of fact, as the unfortunately-named Bosch points out, pointedly, in a pointed interview in the in-house magazine distributed at strategic drop-off points by the movie chain UGC, the point of La rafle was not to question, no, but simply to show: “It couldn’t, at any price, place blame or emphasize the good points. . . I contented myself to show what happened, and I leave the viewer to find the admirable and to condemn, in their mind, the Vichy government, whose decisions – it must be made very clear – went against those of the French populace.” (Huh?) (WTF???) Really???? Er. . . I don’t know. Maybe Ms. Bosch gets her groceries delivered. Oh sure, go to any real French dinner party with any real French people at it, and somewhere along the line you’re sure to hear a real, honest-to-goodness, real-life, surely based-on-a-true-story story about how somebody’s uncle or cousin or grandfather or great aunt or long-lost bastard brother was surely a part of the Résistance, but . . . Once again, have you ever been grocery-shopping in Paris? I mean, really grocery-shopping? Giving you the real-life, true-blue, honest-to-goodness opportunity to experience, first-hand, on the front lines, in-the-trenches, the real French application of the concept of solidarité ?

Here’s the based-on-a-true-story story: La rafle recounts the real-life, actual, entered-in-the-history-books tale of La rafle du Vél d’Hiv, when, over the course of July 16 and 17, 1942, the French police, in collaboration with the French Vichy government, in an incredible coup of collaboration and cooperation and complaisance with the German Gestapo and the German Führer and the German Nazis, rounded up 13,000-some-odd French Jews, their own fellow countrymen, their own neighbors-parisiens, all libre-like and égal and fraternale and solidaire, and packed them into the Vélodrome d’Hiver, a sports stadium designed not to hold Jews, but bicycle races. While it was far from being the only rafle the French police ever staged, La rafle du Vél d’Hiv was the biggest round-’em-up-and-ship-’em-out job the French authorities had ever conducted on behalf of their Nazi occupiers in the history of the Second World War.

So there they were, 13,000-some-odd-Jews, French Jews to be precise, some who had immigrated and done the paperwork and been naturalized and some who had even fought for the French in the First Big One too, there they were, right there in the Vélodrome d’Hiver, right there in the XV arrondissement, right there not far from the lovely Eiffel Tower, rounded up, herded, pushed and prodded and pronged by the French-Parisian police into one cacophonous cell, an ante-chamber to the ones where the real business at hand would eventually take place. It was a waiting room of sorts, only without the back issues of Marie-Claire and Marianne and Elle and Glamour and Vogue. The medical staff was skeletal, and there was no food to speak of; there wasn’t any running water, either, nor toilets or showers or sinks. There was, however, alternately, en abondance, the stench of sweat and vomit and urine and feces and fear. The weakest dropped dead; the more proactive took their own lives, and anyone who tried to escape. . . well, the gendarmes did the job for them. The rest waited, and suffered, and waited and suffered some more, until several days later they were once again herded and hoarded and harried and harangued into the buses that took them to the trains, and then into the trains that took them to the non-Michelin Guide-approved, un-starred accommodations they would temporarily inhabit in the camps of Beaune-la-Rolande and Pithiviers and Drancy. Next stop after that? For most of them, Auschwitz. Also, for most of them, when talking ‘accommodations,’ temporary. For those who managed to make it that far, bien entendu.

It had a cute little code name, La rafle du Vél d’Hiv : ‘Vent printannier.’ Means ‘Operation Spring Cleaning’ in English. Sure, O.K., all right fine, it was July, you gotta admit. But you gotta also admit ‘Summer Cleaning’ didn’t have the same ring to it. It just didn’t pop.

Here’s the kicker: The Gestapo’s quota for this particular mid-summer spring-cleaning sale was 22,000 Jews. But the French police, under instructions from the super-ambitious-dynamique-initiative-taking Vichy government salesman Pierre Laval, were aiming for 27,361. Vichy, in true-bureaucratic-blue, épaulette-sporting, paper-pushing, fastidiously-French fashion, had conducted a census, after all, which had been carefully, complicitly, conscientiously conceived of and compiled and composed by the tediously tenacious André Tulard – the guy in charge of the distribution of the yellow stars. The fichier Tulard has since been mainly-mostly-meticulously destroyed, but at the time it offered an extremely helpful and detailed breakdown of the Jews that resided in Paris. Think of it as a sort of telephone book for which you don’t have the right to request an unlisted number. (Oh, wait — that’s the Internet.) And the listings comprised so many more than a mere 22,000 Jews. For there were, of course, the women to think of . . . and then there were the children! So this time, for the very first time, for this very ambitious and arduous Spring Cleaning, the French didn’t just pawn off French-Jewish men, but their wives and offspring, too. The Gestapo really didn’t want ’em, but it eventually saw Pierre Laval’s point: once their parents were carted off, what was the famous French social system supposed to do with a bunch of screeching, squalling, weeping, wailing, wandering Jewish orphans? It was, you gotta admit, un gros problème.

So they brought the quota up, way up, to 27,631. Why, then, in the end, at the end of two days, for this particularly purposeful and purposefully-planned rafle, were only 13,152 Jews rounded up? In an interview with À Paris, the quarterly propaganda rag published by the Paris City Hall, historian Annette Wieviorka attributes this to the “true solidarity of the Parisian people,” hailing all of the concièrges and restaurateurs and non-Jewish families and the odd rebellious French cop or two for helping to hide and hole-up and rescue and save over 10,000 Jews. Once again: Er . . . um . . . I don’t know. Some historians and some movie-makers have a funny way of cooking the books, flambée-ing the facts, depending on who they’re selling their books and movies to, and if sales are good enough, everyone can afford to get their groceries delivered, skipping the notoriously troublesome cheese aisle altogether. So let’s, for a moment, let’s forget the numbers. And let’s, solidarily, for solidarity’s sake, let’s consider the following:

It took until 1994 for them to get around to erecting a monument – in Paris, of all places, veritable capitale of monuments, where monuments breed like mosquitoes – in memory of the victims of La rafle du Vélodrome d’Hiver. (It’s in the XV arrondissement, on the quai de Grenelle . . . not far, once again, from the Eiffel Tower, for you touristy types!) It took until a year later for a French government official – it was the newly-elected President Jacques Chirac – to recognize, publicly, in a snappy little speech, France’s participation in and responsibility for aiding and abetting and assisting the Nazis in sending its own citizens to their deaths. There are plaques on the Parisian schools in memory of the deported Jewish schoolchildren . . . those started, started appearing about 2000, 2001. And while Vichy super-salesman Pierre Laval was executed in 1945, André Tulard – the yellow star guy, remember him? – escaped prosecution, and kept his grade de chevalier de la Légion d’Honneur to boot. Maurice Papon, who oversaw similar rafles in and around Bordeaux, enjoyed a stellar post-war career. Once done with the Jews, he moved on to the Algerians and, as chief of the Paris police force during the course of the Algerian War, was implicated in the October 17th Massacre of 1961, during which Parisian cops slaughtered hundreds of pro-independence Algerian protestors and threw their bodies in the Seine. Papon wasn’t prosecuted for his crimes against humanity until 1998, and he only did three years of his ten-year sentence because, pauvre bébé, he was old and, as legend has it, he had a weak heart. Yes,mesdames et messieurs, legend has it that Maurice Papon actually had a heart! Only he placed more priority on its health than he did on the hearts of Jews. And the hearts of Algerians. And pretty much every other heart deemed to be part of a France-related minority that he could get his grubby genocidal hands on. Vive la solidarité ! Ain’t it magnifique ?

La rafle, which covers an event, a major one, one that took place way, way, waaayyyy back in 1942, is the first full-fledged treatment of La rafle du Vél d’Hiv in the history of French cinema. Might make those of you who think Hollywood took its time to attack America’s role in the war in Viet Nam, well, it might make you think differently. And it must be stated, as far as World War II movies go (in fact they should think about putting this in the testimonials featured in the trailer): Finally, a Holocaust film that’s even worse than Schindler’s List! Because La rafle is bad. Really bad. Surprisingly bad – even though you know as soon as you see the movie poster that it’ll be pretty bad because it’s starring Jean Reno and any film with Jean Reno in it isn’t going to be any good. (What? You think I’m being harsh? I have three words for you: Da Vinci Code. Two more: Luc Besson. Four more: Collaborated with Luc Besson.) (Need I say more?) (O.K. — Godzilla.) It’s a shame, because Jean Reno seems like a nice guy, even if he is close friends with Sarko. But like his taste in friends and French presidents and directors and dictators, he has lousy taste in scripts. La rafle is so bad it makes you wanna cry, which is the only reason you wanna cry during this film because the actual movie is so bad and cheesy and embarrassing and uncapitivating that it could keep you from crying during a raging case of PMS. You know, one of those spells where you cry at TV commercials about telephone plans that urge you to ‘reach out and touch someone?’ Yeah, that bad. Really, really baaad. Soooo bad it’s a catastrophe.

But wait! There’s worse: You know the Vélodrome d’Hiver – the sports stadium that once held bicycle races before it held Jews? They tore it down in 1959. In its place, up until 2007: the domestic counter-intelligence offices of the Ministère de l’Interieur. You know: The far-reaching French governmental body that’s in charge of the French police. Soon to be a division of Franprix. Clean-up on Aisle Trois, s’il vous plaît . . .

Or, as Frauline Direktor so pointedly said: “I contented myself to show what happened, and I leave the viewer to find the admirable and to condemn, in their mind, the Vichy government, whose decisions – it must be made very clear – went against those of the French populace.”

Bienvenue à Monoprix; the Express Line starts over there.

















Southeastern Wyoming, Along Highway 130, Part 2

Photos by Joe Carducci







































Drawing by James Fotopoulos
















From the desk of Joe Carducci…


Valentina Pop at the EUObserver.com on Romanian novelist Herta Mueller’s indictment of the EU’s blind-eye to post-Communist continuity in East Europe.

"‘I think the EU acted pretty naively by taking these countries on so quickly and was not able to foresee what kind of crafty and obstructionist barriers they would be faced with,’ she told journalists during a press conference at the Passa Porta literature house in Brussels. ‘I know that in Romania, scores of people who used to work for the Securitate are now in high-level positions and this has virtually no consequences. It is not important for the society,’ she said. ‘These people have gained so much influence that they have managed to almost re-create their old network of power, where they all know and serve each other. It is the second life of the dictatorship. Under different circumstances, organised in a different way. And without ideology. Without Socialism.’"


***

Christopher Caldwell in the FT on Spain’s Judge Baltasar Garzon:

“His basic tactic has been to delegitimise the amnesties that often accompany (and make possible) transitions from dictatorship or civil war to democracy. In Mr Garzon’s view, the parliamentary arrangements by which Chile granted Pinochet a limited amnesty and a senatorship-for-life were, under international human rights law, null and void. Spaniards, who for the most part applauded when Mr Garzon inflicted this doctrine on the world, are having second thoughts on seeing it applied to their own history.”


***

Eric Posner in the WSJ, “Garzon and the Trouble With International Law”:

“Universal jurisdiction arose centuries ago to give states a means for fighting pirates. In recent years, idealistic lawyers have tried to convert it into an all-purpose instrument for promoting international justice. But supporters of this law turned a blind eye to the diverse and often incompatible notions of justice that exist across countries… When Mr. Garzon indicted Pinochet, riots erupted in Chile. No matter, thundered the champions of international law: Let justice be done though the heavens fall. But when Mr. Garzon turned his sights on his own country, the gates of justice slammed shut. Spain’s establishment was not willing to risk unraveling its own transition to democracy, and rightly so.”


***

Back in 2006 Sudanese cell-phone billionaire Mo Ibrahim decided to set up a $5million prize plus $200,000 annual salary-for-life to African leaders who voluntarily stepped down from power, in the manner of George Washington, I would say. Late last year the Times of London ran a photo of this pan-African patriot throwing up his hands at having no worthy candidate. All the many potentates must consider that chump change to what they can haul in by staying in the saddle where their people/family/clan demand they stay. Plus they fear likely arrest/trial/execution once they have left the protection of guards and military. If those who cheer for the prosecution of sitting and former leaders want blood; they can find plenty in Africa.

***

Mary Anastasia O’Grady in the WSJ on the strange drive to rewrite Honduran history from Washington D.C. Prideful, no doubt, as Democrats embarrassed themselves before their putative enemy in Columbia and ally in Venezuela, but there’s also the lingering bitterness of those who long hoped for a red Latin America? or is that blue? Can you imagine the border problem had their dreams come true?

***

Andrew Jacobs has a report in the Sunday NYT on Chinese “aid” to Tibetans after the recent earthquake:

“The Buddhist monks stood atop the jagged remains of a vocational school, struggling to move concrete slabs with pickax shovels and bare hands. Suddenly a cry went out: An arm, clearly lifeless, was poking through the debris. But before the monks could finish their task, a group of Chinese soldiers who had been relaxing on the school grounds sprang to action. They put on their army caps, waved the monks away, and with a video camera for their unit rolling, quickly extricated the body of a young girl. The monks stifled their rage and stood below, mumbling a Tibetan prayer for the dead.”


Photographer Du Bin’s slideshow is also very striking.

***

Peter Hitchens in the Mail on Sunday reports on his trip through village and city to study Chinese “gendercide”.

“And in every cheerful classroom there was a slightly sinister shortage of girls, as if we had wandered into some sort of science fiction fantasy.”

***

Gordon Chang in World Affairs, “The Party’s Over: China’s Endgame”:

“Chinese technocrats, goaded by a multitude of analysts and foreign leaders, have known for years that they would have to diversify the economy—steer it away from investment and exports and toward consumption. Yet Wen, in office since 2003, has not made much of an effort to do so. His stimulus plan targets the creation of infrastructure and aims almost entirely to boost industrial capacity even further, which would only aggravate the unbalance of the Chinese economy. Continuing with the old way of doing things will further reduce the role of consumption in creating prosperity, which has been sliding from its historical average of about 60 percent to about 30 percent today. That’s the lowest rate in the world, and it is continuing to decrease as the central government’s stimulus plan bolsters industrial production and exports.


So the Chinese economy, once in an upward super-cycle, is now headed on a downward trajectory. Beijing’s leaders had the opportunity to fix these problems in a benign period of growth, but they did not because they were unable or unwilling to challenge a rigid political system that inhibits adaptation to changing circumstances. Their failure to implement sensible policies highlights an inherent weakness in the system of Chinese governance, not just a single economic misstep at a particular moment in history.”


***

John-Paul Rathbone in the FT on Brazil's cuddly ways in the world:

"Only last week, Brasilia hosted the leaders of China, Russia and India at the second 'Brics' summit - with South Africa along for good measure. More remarkable still has been the speed of Brazil's ascent. It first attended a G8 summit only six years ago, as an observer. Back then, it had about 1,000 diplomats stationed around the world. Now there are 1,400. Last year, it even opened an embassy in Pyongyang."


***

Brendan Goldman at AmericanThinker.com on Tariq Ramadan’s American debut:

“The sole bright spot on the panel was New Yorker journalist George Packer, who used his allotted time to pelt Ramadan with questions about his views of his grandfather Hassan al-Banna's connections to the Nazi ally and Mufti of Jerusalem, Haj Amin al-Hussayni. Citing Paul Berman's research from his soon-to-be-released book, The Flight of the Intellectuals, Packer noted that al-Banna was an admirer of fascist Italy and Germany and quoted al-Banna as saying, "Hitler was sent by Allah [as a punishment for] the corruption of the Jews." Packer then asked Ramadan whether he was willing to condemn al-Banna for his alliance with the Mufti and for his admiration of Hitler and Mussolini. The normally dispassionate Ramadan was visibly unsettled. Claiming that he had already been asked three times about Berman's book since arriving in the States, he said, "I put this in the context of the [19]30s and '40s." In remarks following these, Ramadan employed the terms "context," "contextual," and "contextualized" at least four times….

‘I don't like to contextualize a long-term alliance with a leading Nazi propagandist and collaborator,’ Packer responded…”


In George Packer’s NYer blog entry, he describes Ramadan as seeming to address “disaffected young second-generation immigrants in a working-class mosque in Lille or Leicester,” as if unaware of any differing American context. Packer himself is at pains to salvage Ramadan’s reputation as some kind of “garden-variety” European leftist. Is it really garden-variety leftism over there to pivot from fending off savage Anglo-Saxon jungle capitalism, to unconditionally opening the doors of citizenship and social welfare to pre-modern Muslims? Given their authentically foreign metaphysical sense of things they can only receive such post-Christian charity, refuge and welfare as tribute due from infidels. We know the demographics there; I wonder at Euro-Islamic voting patterns: do Muslims vote as “conservative” as their culture? Or do they vote “liberal” for the time being? Certainly Europe needs some amount more of “savage” economic dynamism to transform these or any immigrants into Europeans.

***

Nonie Darwish at Frontpagemag.com, “A Letter to Gaza”:

“Arab education has never told us the truth about the Israeli people and the story from their side and what Jerusalem means to them. We were told that Jerusalem was a Muslim city simply because Mohammed dreamt one night that he went to the farthest mosque but he never mentioned Jerusalem. The Koran never mentioned Jerusalem, which is mentioned hundreds of times in the Bible as the heart and soul of the Jewish people. We as Muslims never respected other religions holy cites and always claimed them to Islam; even Spain and India are being claimed as Muslim land. It was the tradition of Muslim conquerors to convert churches and temples to mosques and that is exactly what happened to the Jewish Temple Mount when 100 years after the prophet Mohammed died, Muslim conquerors built the mosque right on top of it. Just imagine if Jews or Christians had built a temple on top of the Kaaba in Mecca. This is how Islam has treated the Jews. It is time for Muslims to seek redemption and forgiveness and to extend the hand of reconciliation and peace to the Jewish people.”


***



Charlotte Wiedemann in Die Zeit on “The Scramble for Timbuktu“, at Signandsight.com:

“Saudi Wahabists have been trying for a long time to establish a ‘cleansed’ de-Africanised Islam in Mali. They have had no success in Timbuktu so far; even the religious students still wear fetishes. If you talk to Abdramane Ben Essayouti, Timbuktu's leading imam, about the Wahabists, he straightens his bright blue robe, the bubu, and relates a famous anecdote: When in 1324 the Malian King Kankou Musa went on a pilgrimage to Mecca, his caravan was loaded with so much gold that while he was on the road, the value of gold in Cairo plummeted. ‘Saudi Arabia,’ say the Imam with a subtle smile, ‘was just a sandpit in those days’. When the King returned he brought an architect with him who set to work building Timbuktu's cultural heritage for the future. The Djingareyber mosque is still standing 700 years later and Ben Essayouti is its imam. ‘The Wahabists will not be able to do anything about a tradition as strong as ours.’"



***

Thomas J. Reese, S.J. in the WP on clerical abuse:

“The media is being attacked by the defenders of Pope Benedict who feel that its coverage of the sex abuse crisis is unfair. Do some reporters do a sloppy job reporting? Sure. Are some commentators over the top in their rhetoric? Sure. When the argument is between The New York Times and the Catholic Church, it may simply be one infallible institution taking on another.”


***

Bari Weiss in the WSJ, “Hasids vs. Hipsters: A Williamsburg Story”

***

Hugh Carnegy in the FT on Linda Polman’s book, War Games: The Story of Aid and War in Modern Times, writes:

“Polman argues that this ‘see no evil’ approach on the part of aid agencies has led to them being cynically exploited by political regimes around the world, with the result that many conflicts have been made worse, not better, by their presence.”

While Andrew Kramer in the NYT reports on how the directed, “semi-official” Russian press exposs of Kyrgyz corruption, blocked by the now former President Bakiyev’s regime were aided in their directed semi-coup by the Committee to Protect Journalists and Freedom House. Well played double bank shot of one, two, many useful idiots.

***

My grandfather, Secundo Carducci, fought in WWI in the Trieste area; how the Italian officer corps treated the foot soldier it seems was a big part of his decision to emigrate to America in the mid-twenties. My dad came with his parents at age three in 1930. All these years later dad has Alzheimer’s and one of the few jokes he remembers involves a sale of surplus Italian rifles, the pitch being: “never been fired, dropped twice.” Max Hastings in the FT tours the now Italian Southern Dolomites battlefield of WWI and finds evidence of some different stories from Italian military history. It reminds one of Kargil battle between Indian and Pakistani troops on the glaciers of the Hindu Kush -- existential heroism beyond sense and reason -- only with Italians and Austrians.

***

Economix, et. al.

Tyler Cowen in the NYT on Cutting Spending

“A move toward a V.A.T. ...brings price inflation, a big increase in the tax-collecting bureaucracy and the emergence of favored sectors with exemptions or lower rates… Burdening citizens with much higher taxes would fundamentally change what this country is about. Our founders envisioned a government that would provide public goods but not guarantee everyone’s well-being against every possible obstacle. Immigrants would be offered a franchise to come here and make good if they could — while bearing considerable risk themselves. To this day, this openness has elevated many millions in health, prosperity and liberty — and enabled many newcomers to innovate and offer new goods and services, or scientific ideas, to the world.

Higher levels of government spending and taxation would also soak up resources that might otherwise foster innovation and new businesses. And sentiment would most likely turn ever stronger against those immigrants who consume public services and make the deficit higher in the short run. Current residents might feel more secure in a larger welfare state, but over time the loss of commerce and innovation takes a toll….

The received wisdom in the United States is that deep spending cuts are politically impossible. But a number of economically advanced countries, including Sweden, Finland, Canada and, most recently, Ireland, have cut their government budgets when needed… Most relevant, perhaps, is Canada, which cut federal government spending by about 20 percent from 1992 to 1997.… In his book In the Long Run We’re All Dead: The Canadian Turn to Fiscal Restraint, Timothy Lewis describes Canada’s move from fiscal irresponsibility to a balanced budget — a history that helps explain why the country has managed the current global recession relatively well.”


WSJ Tax Day editorial: “Europe’s VAT Lessons”. The accompanying chart is worth looking at even if you don’t have the neural bandwith to spare on the obvious. As Cowen’s piece above would suggest Canada is the only country whose VAT has decreased, though Japan and Switzerland seem to have the political discipline to contain the insiders’ stealth temptation to grab at more of the outsider-citizenry’s property.

Steven Malanga in City Journal on Calif., “The Beholden State”, is long and dark:

“How public employees became members of the elite class in a declining California offers a cautionary tale to the rest of the country, where the same process is happening in slower motion. The story starts half a century ago, when California public workers won bargaining rights and quickly learned how to elect their own bosses--that is, sympathetic politicians who would grant them outsize pay and benefits in exchange for their support. Over time, the unions have turned the state’s politics completely in their favor. The result: unaffordable benefits for civil servants; fiscal chaos in Sacramento and in cities and towns across the state; and angry taxpayers finally confronting the unionized masters of California’s unsustainable government.”


Deborah Simmons in the Washington Times on the American Federation of Teachers and Washington Teachers Union’s balking on yet another minimalist school reform program over an apparently faulty budget total, no doubt added up by a graduate of said educational system. Result: the bouncing of hated schools Chancellor Michelle Rhee.

“Obama-Dodd financial bill would further enrich Goldman Sachs”, writes John Berlau at Openmarket.org. The Wall Street insiders + The Washington insiders = Tea Party

***

Michael Barone in the WSJ on “Immigration Reform: The New Third Rail”.

***

Michael J. Trinklein in the WSJ on how to succeed at seceding from the Union.

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Brendan Simms in the WSJ on two books on Guilt by Pascal Bruckner and Bernhard Schlink.

***

Two books of interest reviewed in the current National Review: Theodore Dalrymple's The New Vichy Syndrome, by Claire Berlinski, and Frederick Brown’s For the Soul of France: Culture Wars in the Age of Dreyfus, by Christopher Caldwell.

***

The NYT believes in regulation. I mean they really believe in regulators personally in general, whether they be zealot-drones or clock puncher-watchers. To those arguing more responsibilities be dumped in their in-boxes, they are a different breed of human, heroes really, who have never been empowered, witness the current complete mess that is their purview which they heretofore have had nevertheless nothing to do with, sitting on their lard-asses innocently as they may well have been since the day they were hired. The news laws they will quickly pass to lay atop all the earlier law creating an impenetrable crushing geo-illogical straiation that extends the time spent in courts to determine the simplest questions, are a defense of and argument for more such federal hirelings. In today’s instance, our paper of record defends the character and endless purview of the FCC, which as all Lenny Bruce fans with experience in music radio and television know full well, is and has been always Sterling! The Commission and its courtiers at the networks and their minions in the air are why newspapers follow every move REM and U2 make. In fact, Bono Vox ran his regular editorial column in the very NYT just this Sunday wisely making light of his starpower in the villages of Africa. And where are the great cannibal civilizations of sub-Saharan Africa when one is ringing the dinner bell?

Gail Collins -- happy warrior or wanton battle-axe? You be the judge: here she is in the NYT, “Celebrating the Joys of April 15”, straining for self-interested humor, something Christopher Hitchens might advise her to stop. It's really only vicariously self-interested so the point seems to be merely self-display, flying her control-freak flag high. And to think all those reporters out in free-fire zones producing barely noted bulletins, protecting as it were, the editorial board’s right to pronounce in safety from those coveted window-perches as they move upward within the ivory tower.

Which brings to mind last week’s TCM screening of The Bowery Boys in News Hounds (1947), starring Leo Gorcey as Slip, a copy-boy/wannabe investigative reporter, and Huntz Hall as Sach:

Leo: (discouraged) Sach, I’m afraid I’m a failure.
Huntz: (enthusiastically) I knew you’d make it!
Leo: You don’t understand, I’m going to have to give up germalism.


***

I don’t know if anyone remembers, but Paul Krugman's enumeration of Wall Street scams in the NYT includes the time-honored hot potato fraud that was the basis of the Kennedy family fortune, earned by Joseph P. on Wall Street in the years before the crash and his flight to Hollywood, where he immediately grabbed three film studios by the books and Gloria Swanson’s body and soul by personal contract. Thereafter read Kennedy liberalism as cover-up.

***

I believe that Mogadishu radio truly requires the many proven broadcasting talents of Randy Michaels and Lee Abrams. I’m sure the Tribune Co. and American germalism can spare them for as long as it takes to whip Somalia mass media into shape -- but maybe play a little less Pink Floyd.

***

Migrating Forms (1999, 16mm, b&w)
James Fotopoulos

• May 10, Art Cinema OFFoff, Gent, Belgium.

***

ONO, The Secret History of Chicago Music exhibition of art by Plastic Crimewave

• Tuesday May 11, free
Steve Krakow speaks at 6pm
ONO plays at 7pm

Museum of Contemporary Art
220 East Chicago Avenue, Chicago

***

• Thursday, May 20 at Reserve LA:

Bruce Kalberg / Bruce Caen
1979-1984 PunkPeepsPhotos from the NOMAG files

Reserve, Hollywood; across from Canter's Deli on Fairfax at Melrose.

The Bangs (later, The Bangles) radio ad for NoMag, 1982

***

2 more Trust mag-sponsored SST DJ evenings in Germany:



• Hamburg, Friday May 28, bar Hasenschaukel
• Berlin, Saturday May 29, bar Wiener Blut

Trust info promises DJs Stone and Schippy playing SST, new alliance, and Cruz releases. “Why SST? read here (sorry, all in german, short in english)”


***

The Big Takeover 30th Anniversary Festival:

Friday And Saturday, July 30-31
The Bell House, Brooklyn
“Celebrating 30 years of American's oldest indie-produced music magazine.”

• FRIDAY JULY 30:
The Avengers (reformed S.F. '70s punk legends, with two original members, singer Penelope Houston and guitarist Greg Ingraham), Channel 3, plus Visqueen, Springhouse, Libertines U.S., Flower, EDP & more.

• SATURDAY JULY 31:
Mark Burgess, Chameleons, For Against, Springhouse, The Sleepover Disaster, Don McGlashan, Jon Auer, Astrid Williamson, The Sharp Things, Paul Collins, The Curtain Society & more.

***



Obituary of the Week

Daryl F. Gates (1926 - 2010)

The Los Angeles Times treats Gates fairly enough, though a reader might not know that the paper was once in full-sync with LAPD, and so it's turned on him in retrospect as an institution. The LAT, like its Tribune Co. owner, has long been trying to live down its true founder’s heritage.

David Cay Johnston covered the LAPD for the L.A. Times from 1980-83 and he titles his farewell, “The Story the L.A. Times Didn’t Tell”. In it his focus is on the department’s “red squad” which every major city had and each got in trouble as the sixties cultural revolution left cops (among others) at a loss as to the new low of now acceptable political and personal behavior. Johnston like any politico is happy to exploit that disconnect but he knows what he knew and it's interesting.

Jim Newton is the L.A. Times' editor-at-large and he covered the LAPD from 1992 to 1997 and so he has a shorter series of impressions about Gates in retirement when he stayed active as a radio talk show host.

Los Angeles Punk Rock of course had long experience with Gates, just as the Hippies and Freaks had earlier with his predecessors. The Elks Lodge Hall riot (March 17, 1979) was ordered by Gates in his first year as a way to mark territory and perhaps to safely try out new riot suppression tactics, designed for use against the next Watts riots or S.L.A. radicals. In my book Enter Naomi I quoted Nicole Panter’s description of the Elks Lodge/police invasion from the Alice Bag website. The Punks at that show did disperse rather easily in the face of massive police assault, but they never would again. There was a full decade of cat-and-mouse battles all over Los Angeles between punks and cops. I saw kids throw rocks up at police helicopters that were illuminating the night as punks were chased by riot cops on foot and on horseback from Dead Kennedys and Black Flag gigs, from Hollywood to the Harbor. In the end the LAPD got its riot and Gates was forced to resign. In defense of Daryl Gates, a one-time cop-hating kid from Glendale, Los Angeles is ungovernable and certainly not policeable either. One great city and he must have loved trying.

This Black Flag radio ad is a cultural response to the LAPD and Chief Gates by the band as they advertised their next self-produced gig (Feb. 11, 1981) on KROQ. The other ads (released on side 4 of BF’s “Everything Went Black”) are great too, but this one -- at the 7:55 mark -- is particularly well-produced and funny. It features Mitzi, Spot, Merrill Ward, and Dez Cadena.

***

(Thanks Jane Schuman, Steve Beeho)





















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• The New Vulgate
• Joe Carducci, Chris Collins, James Fotopoulos, Mike Vann Gray, David Lightbourne
• Copyright retained by the writer, artist, or photographer

Wednesday, November 11, 2009

Issue #19 (November 11, 2009)

Facing "Angel" on El Panecillo, Quito, Ecuador

Photo by Lindsay Olson
















Carillon, Rotary Hill, Naperville, Illinois, November 8, 2009

Photo by Joe Carducci
















War in Repetition: a Book Review
by Chris Collins

• Fighting Power: German and U.S. Army Performance, 1939-1945 (Greenwood Press), 1982; by Martin van Creveld




"In war, the moral is to the physical as three is to one." (Napoleon Bonaparte)

There's a striking impression one takes from reading Armageddon by Max Hastings, a history of the end of World War II in Europe. By autumn of 1944 the momentum of the Normandy breakout, after reaching the German border, had curdled into awful yard-by-yard slogs like Hürtgen Forest. The U.S. Army by this point, in distinct contrast to its enemy, simply could not get its men to follow orders and advance.

Why was this the case? Martin van Creveld has a possible answer. His book Fighting Power coldly contrasts the German Army and the U.S. Army in the war to underscore the superior performance of the former organization in virtually all engagements. At the time of the Normandy invasion, the eastern front was tottering and about to break, splitting the Germans between the two fronts, yet they often managed to hold Anglo-American forces back while at a constant and often severe manpower disadvantage.

Van Creveld eliminates cultural factors as causes, deducing from tests administered by the U.S. Army that individual Americans are fine soldier material. What he turns his eye to instead is the nation's prevailing business doctrine of Taylorism. Taylorism might be boiled down into the aphorism "don't send a man to do a machine's job." Its objective is to attain maximum efficiency within a business and thereby profit by extirpating the main impediment to efficiency, human nature. Administrative uniformity, control, and predictable performance is the sine qua non of this discipline; in decayed form it resembles the intimately familiar feature of American life called bureaucracy.

Applied to an army, it created a stiff process-bound edifice which, while facilitating a complex logistical setpiece like the D-Day invasion, effectively denied itself access to some of the better human attributes, such as improvisatory problem solving skill and personal initiative. A marketplace in the aggregate may be a predictable beast. An enemy guided by a strategic mind is not necessarily so. When the unpredictable happens, those better human attributes are called for.

What of composition and morale? German units were oriented around towns and provinces, and while this arrangement shared by the British Army of WWI sometimes led to the destruction of a town's young men in a day, it also created an esprit de corps largely absent in the U.S. Army with its clerical superstructure and insensate allocation of personnel.

The U.S. Army was oriented to maintain units at paper strength through replacements. "American divisions," Van Creveld writes, "preserved the teeth to tail ratio by acting like some huge meat-grinding machines that processed men on their way from the replacement system in the rear to becoming casualties at the front." War memoirs from the time often describe green and disoriented soldiers funneled into a company only to be killed before anybody could learn their name. The supposedly efficient shuffling of soldiers to-and-fro like so many memoranda, Van Creveld says, "produced a system that possessed a strong inherent tendency to turn men into nervous wrecks."

The German Army, on the other hand, did not not replace casualties, instead preserving organizations in their reduced numbers and bolstering their lines with fresh units. The fresh units in turn were initiated into combat as one, suffered and fought as one, and, even while being ground down, were not altered in their core composition. It's to these factors, not to any Nazi ideological fever, that Van Creveld ascribes the superlative performance of the Wehrmacht all the way through to the end of the war. Had its numbers not been depleted by the war in the east, driving it out of Africa, Italy and western Europe would have been an even bloodier affair.

(To further illuminate his critique, one might note the astonishing valor of the U.S. Marines in the Pacific campaign, where their stalwart performances in assaults on island fortresses like Tarawa and Iwo Jima rate high in the annals of military braveness.)

Still, one has to ask, could the U.S. really have produced a vast and fearsome war machine like the Wehrmacht? Perhaps, as Max Hastings observed, not without ceasing to be the United States. And, as Martin Van Creveld allows, no civilians suffered such depredations at the hands of the U.S. Army as they did at those of the armies of Germany and Russia.

***

Van Creveld, an Israeli military historian, in 2004 produced a superb essay on the paradoxes of modern warfare, "Why Iraq Will End As Vietnam Did", written around IDF general Moshe Dayan's journey to report on the Vietnam War. It's still an important read.

[Charcoal Drawing: "Down the Net" by Kerr Eby (1944), from the U.S. Naval Historical Center]




On a slightly less serious note, internet columnist Gary Brecher ("The War Nerd") contemplates the American Civil War and its art: "I May Not Know Much About Art, But I've Got a Gun"

















Drawing by James Fotopoulos
















From the Desk of Joe Carducci...

BLACK FLAG


I guessed/predicted in Rock and the Pop Narcotic that regarding Black Flag there was never enough sales for the real publishing industry to ever write a check to get to the bottom of the band's story.  Back in the late 1980s when I wrote R&TPN only Faber & Faber was even issuing original music titles, and indeed they were the only publisher to take a look at my manuscript.  But the 80s/90s roll-out of Tower Books, Barnes & Noble, and Borders did spur a short golden age of the music section in book stores.  That's over now.  But Omnibus in the UK, which once had the only book on Black Sabbath in print, now issues the first comprehensive book about Black Flag, first in the UK, soon here.  Spray Paint the Walls is very well reported and assembled by Brit music writer Stevie Chick, author of the better of the recent Sonic Youth books.  Neither Greg Ginn nor Henry Rollins sat for interviews but their voices are included from earlier interviews, and more importantly Chuck Dukowski spoke to Chick - a first I believe.  The story, laid out from the band's earliest practices in 1976 to its end ten years later, makes a far more dramatic book than the usual shelf-fillers with their stretch to make the empty stories of various chart-toppers sound exciting and crucial and against the odds.  I read a rough draft; I'm sure most of the minor Anglocentric miscomprehensions of timelines, causalities and geography are still in it but the book is powerful because it does the story justice.  And those miscomprehensions are shared by most American music writers as well so what the hell...

Excerpt:  Black Flag Polliwog Park episode from Stevie Chick's book.


[Robert Arce's BF doc production still: Keith Morris at Polliwog Park, Manhattan Beach, California, 2009]



SST addendum

It's nice that interested younger folk bother to struggle to make sense of the SST Records' corpus.  I left the label when catalog numerology reached into the eighties; it got past three hundred.  This SST thread immediately runs through the favorites and then gets into much less familiar territory.

This blog is another good example of musical archeology and features a running digging up of SST-related arcana.  And here's another that regularly circles back to SST.

***

It's a small issue and I don't want to be Christgau about it, but in Monday's NYT review of some formerly East Bloc underground rock bands at Le Poisson Rouge, Larry Rohter writes "But for the young people who helped bring down Communist regimes... pop music was a profoundly subversive force, inspiration and vital tool of protest for challenging and undermining a totalitarian state stricter than any parent."  There's trivializing in all directions in this sentence, even after my editing it down.  Rohter is a foreign correspondent so maybe its an Arts editor who knows elite critocracy's preference for "pop" texts over "rock" messes, but the context in the East was different in ways Larry tries to dramatize but his own construction is so tired he falls asleep and forgets about it by the end of his sentence.  There was a real thing once upon a time called Rock and while it sold big and was broadcast in the West, it was not connected at all to East European state-enforced "Pop" in all its bullying civic utility, nor was it connected to Pop in the West which was in general fundamentally popular.  The musicians Rohter talks to in his piece say interesting things about how it all happened for them, but the shape of what they were doing back then is misrepresented, if that matters.

***

Here's the BBC "Krautrock" doc; not that good but of interest mostly for its contemporary interviews with members of some of the key bands.  But as Steve warned me, the filmmakers seem to consider the crowning achievement of the Germans to be two David Bowie albums.

***

Hmong Qeej-mania:

Master

Kids

Duet

***

Pedro Bell on Monday's Sun-Times' front page.

***

Christopher Nolan's brother's escape plan; check Alex Garcia's beautiful shot of Harry Weese's three-sided window-barred MCC.

***

Chinese capital and labor applied to Indian infrastructure cuts time by 80% and Indian labor 100% where possible.

***

Submission means never having to say you're an infidel, no matter what kind of pagan you are.

***

The WSJ doesn't use its editorial board member Dorothy Rabinowitz very well.  She should host a television program something like the one Tina Brown did on CNBC several years ago - a cultural review from New York.  Instead she's rarely one the half-hour Journal Editorial Board program on Fox News Channel that Paul Gigot insists on head-manning.

***

WSJ:
Stalin didn't need genetics as a science so it became a socialist false-science led by the charlatan Lysenko.  But Stalin needed math to recalibrate trajectories of his bombers so mathematicians became a privileged elite.

***

States love walls.

South Korea might just as soon not unite Korea; their second thoughts became conscious when they saw Germany unite, although they had third thoughts as soon as China allowed some website to make the case that North Korea's territory belonged to the Manchu Empire as Sinkiang/East Turkestan once did.  There's a steady display of high-brow exasperation with some grad-school fantasy of Western triumphalism only they can see.  This yields labored recuperation of the Pax Sovietica by the likes of Slavoj Zizek, Fred Halliday, and others - there's a ton offered at Arts & Letters Daily on this anniversary week.  These double-domes could just slap the bumper-sticker "Another World Is Possible" across their foreheads and they'd offer as much insight in a fraction of the time.

***

Rami Khouri on the still standing Arab Wall.

***

The EU military chiefs now report to Europe's top diplomat, so do not piss Europe off whatever you do.

***

Towards a Grand Unified Theory of Serial Killers.

***

We need a Grand Unified Theory of Socialisms too so that these smart people can stop spinning their wheels as they try to split the molecular bonds between the real National Socialism of Hitler's Germany, the half-hearted version in Mussolini's Italy, the fake International Socialisms of the U.S.S.R., Mao's PRC, and Trotsky's brain, and the long-theorized existence of International Socialism.  A piece by Patricia Cohen in the NYT anticipates the English translation of a book by Emmanuel Faye that seeks to read Martin Heidegger out of the field of Philosophy, Heidegger:  The Introduction of Nazism Into Philosophy.  Fayeism will have to throw many more People's History notables onto the pyre in order to purify the priory.  A simple scan of the legitimacy granted Eugenics by polite progressive company in the nineteenth and early twentieth centuries reminds one of the scale of the problem politics was going to have with scientism.  A new round of which is probably around the corner.

***



Ancient Humors - an historical survey.

The year was 1989 and the Grand Ayatollah Khomeini had just issued a fatwa calling for the death of author Salman Rushdie over his portrayal of the prophet Muhammad in his prize-winning best-selling novel, The Satanic Verses.

The Joke:

- Did you hear Salman Rushdie has a new book out?
- He does?
- Yes, it's called, "Buddha - You Fat Fuck"


Next week, another great joke unearthed from beneath the sands of time.

***

WSJ:
"Detroit's Abandoned Industrial Landscape Has Become a Playground for Pranksters."

***

WSJ 2:
"Colleges simply want to avoid approaching the dreaded 60-40 female-male ratio.  At that point, men start to take advantage of their scarcity and make social life miserable for the women by becoming 'players' on the dating scene."

***

Nice use of Youtube to illustrate baseball sign-stealing

***



My uncle, Donald Hartlaub, died a couple weeks ago.  He was the honest mechanic everyone was always looking for.  He moved to a DX in Aurora, Ill. when Standard pressed him to use his reputation to move more tires than he could honestly advise his customers to buy.  One of ten kids, the first five born in Cincinnati and the second in Chicago, he enlisted in the Navy after Pearl Harbor.  One of the precious few lies he ever told was claiming he could swim so as to be able to fly scout missions over the Pacific.  They flew two-man canvas-bodied bi-planes catapulted sideways off of ships.  The planes on return landed in the water and were picked up by a crane and returned to the catapult.  Don was a pilot and the navigators vied to go with him as they figured a pilot who couldn't swim was likely to be very good at staying in the air.  He earned the Distinguished Flying Cross and the rank of Lieutenant Senior Grade, successfully completing 49 missions.  The photograph below is of the officer crew of the USS Denver CL-58; Don is fifth from the left.



***

(thanks this week to Steve Beeho, Roger Trilling, Mike Galinsky, Jake Austen, Matt Carducci...)


















To receive a weekly update notice for the NV, send an email to newvulgate[at]sbcglobal.net with SUBSCRIBE in the subject line. To stop receiving notices, do the same with the word UNSUBSCRIBE.

• The New Vulgate
• Joe Carducci, Chris Collins, James Fotopoulos, Mike Vann Gray, David Lightbourne
• Copyright retained by the writer, artist, or photographer

Wednesday, October 7, 2009

Issue #14 (October 7, 2009)

Another Pointless and Pure Baseball October in Wrigley Field, Saturday:

Photo by Joe Carducci
















From the desk of Joe Carducci...

Q: "Will Books Be Napsterized?" (Randall Stross in Sunday's NYT)
A: Yes! (Me here)

Stross writes,

"Free file-sharing of e-books will most likely come to be associated with RapidShare, a file-hosting company based in Switzerland. It says its customers have uploaded onto its servers more than 10 petabytes of files — that’s more than 10 million gigabytes — and can handle up to three million users simultaneously. Anyone can upload, and anyone can download; for light users, the service is free."


The mechanics of file-sharing do matter, but as with the music industry, the publishing industry has made its bed since the cultural revo of the sixties woke it up. That its super-comfy feather-bed became a zinc-lined death-sled coffin fascinates those professionals involved, but it won't really surprise or alarm them for they are not really book-people. As in the music industry, where music obsessives were driven off by the collegiate class of lawyers, accountants, and statisticians attracted to the bigger money of baby boom market album-oriented economics, the book business ran down its own dead-end. Theirs features the end of the time-honored profession of book creation with emphases on the editor-writer relationship and distribution through long-running booksellers often named for their owners (Stuart Brent’s, Harry W. Schwartz’s…).

Today’s marketplace is increasingly made up of phone-reliant "readers". These readers require digests of news so they understand the night's jokes, and perhaps the lay of the political landscape on this or that policy debate or election. They buy books right or left, voting with their purchases, depending on television buzz and then these books filter through the used bookstores on their way to the shelves of Salvation Army and Goodwill stores, largely unread one supposes. The production of such books is a short-term strategy.

Of course the digesticization of information yields smarts rather than wisdom, and that's enough for politics. One wonders, though, whether the book writers who come out of today's news media can contribute anything as enduring as Mencken or Lippmann did. There's smarts in today's newspapers and magazines but it's producing micro-analyses and micro-histories, and the glib marketing reaches into the works themselves as they labor to launch terminology (Bo-Bos, Tipping Point, Shock Doctrine...).

The corruption of the books themselves is the true concern. The old relationship model has been de-professionalized with agents, brokers, lawyers, and media reps crowding in between editor and writer. And so the writer often takes a larger advance but has less time to research and write what I will call a real book. I spent over four years on my first book, Rock and the Pop Narcotic, beginning April, 1986 immediately upon leaving SST Records. The last addition to the first edition was the Camille Paglia quote which I added in late December, 1990 just before sending the book off to Eerdman’s for printing. I got 2,200 copies in hand by March, 1991. I sent out five promotional copies. When Henry Rollins read his he called to see how many I’d printed. When I told him he thought I’d never sell them all and he’d never get to add the book to his newly ramped up 2.13.61 catalog. The second call I got regarding the book was from Roger Trilling. He’d bought the book at Amok in L.A. and wanted me to write for Details magazine, which I did; he also wanted me to send a copy to Robert Christgau, which I also did. He reviewed it in the Village Voice -- didn’t quite approve of it or my editor-less style.

Thanks to Tower Records and those old-line bookshops I did sell them and I then revised it for Henry, spending another year updating and re-editing it. That edition of 3,500 or so came out in 1995. I begged off any editing help; not sure there was anyone in the world could tramp around profitably in that book. I improved it but it's still a slow motion Odessa-steps avalanche-massacre. (I don’t claim to be at my best in nonfiction; I always err on the side of content over form there.) But 2.13.61 hit the roll-out of Tower, Borders, and Barnes & Noble nationwide and that run sold out too. Then everything began to roll-back and fail as the web and Amazon.com expanded. Henry himself was the first person I knew who bought from Amazon. When Doug Biggert of Tower Magazines first called me to order R&TPN, we had a nice leisurely talk about Tower, SST and other things we were both hip to. Not so efficient maybe, but the book world (and the music world) misses that Tower know-how today.

Soon enough Henry had to re-frame his company around his own titles and I got back into the publishing business. It is now much more difficult to work from outside. My second book, Enter Naomi, a much easier read on the face of it, has sold two thousand copies to date, with hardly any of the reviews R&TPN received. But many of the shops are gone and the free weeklies, daily newspapers, and magazines are all in the process of melting into their websites. Whatever is coming probably does not include much of the things I spent my life inundated with, because every year the age of the web-crawl generation advances against the age of books, mags, papers, records, papyrus….

Beyond the mechanics of distribution, however, I believe that the content of books (and music and film…) was retarded when those first hustlers and hires out of the hippie wave succeeded in pulling up the ladder after themselves. It happened in radio programming most dramatically in the period between 1972-74. One has to ask what kept the Ramones off “Saturday Night,” never mind radio itself, when they are now heard over the P.A. in major league baseball parks?

I arrived in Hollywood in September, 1976; “Jaws” was still at the Cinerama Dome, “Rocky” was at the Pix, and that winter “Star Wars” opened at the Chinese. This pushed me from film to music. I like genre films, but there was something wrong with those films, and what followed was worse, more juvenile -- Saturday matinee serials weren‘t worth remaking at any budget never mind as overblown big-budget epics. My first stop in Hollywood was Pando Productions -- Peter Fonda’s company -- I had been very impressed with “The Hired Hand”. They had a small office south of Hollywood Blvd and the girls took one of my scripts and lo-and-behold nothing came of it.

I gradually got interested in punk rock as I read about it and began to hear the records. While at Systematic Record Distribution (1978-1981) and at SST Records (1981-1986) it became clear that we were faced with having to build our own parallel music industry-in-miniature -- from fanzines to labels, from college radio stations to music venues, from booking agents to distribution…. It was a formative experience for all of us, especially the bands. But the lifespan of most bands is a mere five years. (Read the attached interview Jordan did with the Louisville/NYC/France based band Circle X and marvel at the insouciance of their decades spent making music; why bother, most would ask, but it was the right strategy if you weren’t populist in the Black Flag manner.)

I was at SST in Redondo Beach when I read reviews of first novels by Jay McInerney and Bret Easton Ellis. You knew they didn’t know what was going on outside of some soshe-world on elite campuses or in Manhattan nightclubs so how could they write anything important? Goes without saying they weren’t old enough to offer masterful insight into the human condition, so that leaves zeitgeist-work. My guess then was they had to be new-journo-damaged at best, Vonnegut gimmickry more likely. I figured I was likely the best writer of my generation, but I wrote nothing but screenplays and press releases for SST. My PR prose occasionally met with approval; most notably when Richard Meltzer reprinted one about a Rollins spoken-word event in his L.A. Reader column, or the time Greg Ginn made me throw a thousand copies of a trade-show press release about Black Flag’s 1984 rut through Florida in the trash. Curt Kirkwood didn‘t have a mind for PR-ese but I handed him one release I‘d written about Hüsker Dü and he told me the only thing in it he could relate to was my referring to them as potato-eaters. I took that as high praise.

There is little question today that I was in the cockpit of the culture, if rock and roll still counted. But exactly what generation was I anyway? I didn’t consider myself a punk, never mind hardcore; I never did shave my beard off or stop listening to Steppenwolf. But since a generation was forced onto a siding by the hippie mercenaries who’d gotten a chokehold on the music and media business, its art didn’t rate in the historical parade of generations. When I left SST in March 1986 we were still so underground that I didn’t receive a single job offer from another label, major or minor. I think I’d signed an agreement with SST not to go to work for another label for one year. Not that I was going to… And then fifteen years after the Ramones and the rest did the heavy lifting, Nirvana and then Green Day and then Fall Out Boy struck platinum and further buried the history of punk as it was in the seventies. The culture’s been retarded ever since; thank you Jan Wenner. Thank you Lee Abrams. The record industry by necessity had to follow the press and the radio and cut the music’s ties to its own historical evolution. It won’t prove enough that young kids hear the Ramones at the baseball stadium today, thirty-five years after the fact. As I said, “Retarded.”

In the latest oral history of punk -- SF’s “Gimme Something Better” -- the authors explain their deal with Penguin and how it wasn’t enough time or pages to cover it all. They prove that, I’m afraid. For my books I’ve had all the time my biological clock gives me, though no money at all. But decades of the major and minor publisher’s investing in instant books written on the clock by hacks trying to clamber up out of dying dailies, weeklies, and monthlies has swindled and driven book buyers away by foisting one too many glorified magazine features into fake books, barely worth the remaindered price. Why not google for the url and check out RapidShare if you’ve grown up with the web at your fingertips?

***

James Belich's "Replenishing the Earth - The Settler Revolution and the Rise of the Anglo-world", reviewed by Bernard Porter, author of "The Absent-Minded Imperialists".

***

Michael Rother interview.

***

Christian rock band Flyleaf’s second album. I thought Clive Davis was going to have the singer go solo by now. They never released the best tune off their debut, “Perfect”, as a single but the record did go gold in slow motion over the last three years.

***

L.A. punk was as early in its origins as NYC. Try telling that to posterity.

***

Michael Hurley animator

***

Baader-Meinhof Komplex explained.

***

Ford’s reward.

***

Jordan Mamone interviews Circle X "the Americans who became Sioux". French version published by Revue et Corrigée.

***

Arthur Miller unraveled.

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Marion Davies recuperated.

***

Any Chinese version of the BBC or Reuters or TimeWarner or News Corp or Bloomberg will be good news for Chinese letters arts, and these guys. Scary thought given ours.
















Movie Review
by Chris Collins

Come and See, (Idi i smotri), (1985)






A Soviet film, directed by Elem Klimov, set during World War Two which veers between the surreal, the brutal, and the crude.

Florya, a peasant boy from a Belorussian village joins a band of partisan guerrillas in 1943 with little more apparent motivation than adventure and patriotism. From there, like Fabrizio in the Charterhouse of Parma, he is less a participant in the war than a spectator, getting lost in the woods, meeting a girl there, and then returning with her to his village to find his family and everybody else massacred, possibly in reprisal for his enlisting.

In an apocalyptic climax, he is caught in the middle of an SS rampage through another village. Hellish incidents accumulate, of such oppressive violence as to break the film, with its theretofore muted dread and surrealist touches, into two pieces. Villagers are packed into a barn which is then set alight. A German grabs him and places a pistol at his temple while another photographs him, then lets him go. And finally, the girl he met in the woods rematerializes, stumbling toward him, raped and bleeding.

The Russians get revenge of a kind, but the boy's mind is lost, past disgust and rage. He raises his rifle and slowly empties it at a portrait of Hitler left in the mud, and as he shoots, black and white newsreel footage of the war runs in reverse to ultimately reveal a picture of the infant Hitler. The effect is one of the boy's mind, and that of the filmmaker, struggling to undo horrors which have their origins in a single diseased psyche. While the film does not attempt to shed light on that psyche, its vision of manifold evils metastasizing from it is indelible.
















Not Wyoming

Photo by Joe Carducci





















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• The New Vulgate
• Joe Carducci, Chris Collins, James Fotopoulos, Mike Vann Gray, David Lightbourne
• Copyright retained by the writer, artist, or photographer

Wednesday, August 5, 2009

Issue #5 (August 5, 2009)

In the San Gabriel Mountains above Los Angeles

Photo by cheshirebat

















Will Shatter and Bruce Lose of Flipper, 1981; photo by Vincent Anton.

Radio Programmer Tip #1:
(3 Tunes, 2 Segues, 1 Story)

by Joe Carducci

Negative Trend – “Black & Red”
Flipper – “I Saw You Shine”
Toiling Midgets – “Preludes”


Negative Trend was of the first generation of San Francisco punk bands. These bands were mostly inspired by the then final Stooges album, “Raw Power,” mainly because it was the best record you could buy for 50 cents in 1975, and was also the best musical style you could attempt to pull off, having just copped your first ten dollar guitar on that very 50 cent inspiration. The market for underground rock had shrunk overnight to the point that the Stooges’ label Elektra dropped them after “Fun House.” (Dropped after Fun House!!!) David Bowie’s management company moved them to England where soon enough MainMan had second thoughts. Eventually, Columbia released “Raw Power” in the U.S. and then quickly remaindered the album. These cut-out copies were snatched up and anyone looking for “Raw Power” after 1976 had to pay import prices. The market for underground sounds had in fact shrunk to the young musicians just beginning to form their own bands knowing nothing of any collapse except maybe radio’s, and certain that they and the noise they’d make would wake the dead.

These were not college boys. Unlike today, the mid-seventies music scene was one of drop-outs inhabiting city neighborhoods bereft of hope and pretension as the late hippie/radical scene either bottomed out in drug use or retired to college town arcadias. The drugs these players were taking they were taking without pretension. Mind expansion? Yeah right. Initial drug pretenses were folk scene clean and had been laid low by the motor-head impulses of Grand Funk youth. Revolution? Yeah right. The draft had ended, then the protests ended, then Nixon resigned, then Ford became president, then the hip young dry-look congressional class of ‘74 cut off aid to South Vietnam, then it fell, then a bloodbath in Vietnam, then Carter, then a bigger bloodbath in Cambodia, then a war between Vietnam and Cambodia, then a war between China and Vietnam, then the Mullahs took Iran, then the Soviets invaded Afghanistan. . .

No, this music generation’s excitement was about a lean mean music that looked to the Stooges, the Velvet Underground, and then suddenly the Ramones as models. They disparaged the just collapsed hippie pretense while making stylistic gestures in the directions of pre-hippie fifties/sixties rockabilly/garage approaches.

Negative Trend was formed out of the ashes of one ground zero nexus of early San Francisco punk, Grand Mal, which in 1977 birthed Trend plus the Offs. I never saw Negative Trend though I did know their first singer, Rozz, as he bounced between SF and Portland, where I was doing punk radio on KBOO and turning an import record store called Renaissance into what we thought of as the first modern independent record distributor, Systematic Record Distribution. Negative Trend released one four song seven inch which was quickly out of print with nary a copy leaving the west coast. They played the bay area, toured the Northwest once, went to LA to play and record with a new singer, Rik L. Rik (formerly vocalist for LA band, F-Word). He replaced Mikal Waters as singer. F-Word had been on the Posh-Boy label. Negative Trend recorded for Posh-Boy and then owner Robbie goes and has the Simpletones re-record the music and releases it under the Rik L. Rik name. They just didn’t know about that kind of shit in SF. Robbie must have thought this was pop music and was going to sell.

Flipper was formed by Trend’s rhythm section, Will Shatter and Steve DePace, plus guitarist Ted Falconi, formerly of a band called SST and Ricky Williams who had floated away from the Sleepers for a moment (Rozz filled in for him). While in Portland I met a kid from SF named Bruce Calderwood who showed up with his girlfriend, Diane, who was one of the early Portland punks and moved back and forth between the cities. Bruce put the locals on edge slightly as he was a big city punk and Portland was definitely a backwater. He talked about this band he had back in SF called Flipper. He lolled around Portland for a month or more so I didn’t figure the band was much of a full time career move for him. He had replaced Ricky who then floated back to the Sleepers.

Systematic moved to Berkeley at the end of 1979 and I caught up with Bruce quickly as he worked at the folk label, Kicking Mule, just up the street. I saw Flipper gigs at Dew Drop Inn in Berkeley, and the Sound of Music in SF before they began to get onto bigger hall gigs. I bought a small Aiwa cassette recorder to tape their gigs because they were pretty abstract in those days and very flexible in their treatment of their tunes; it was tough to recall just what had been so great about them and they as yet had no records out. Subterranean Records and Target Video recorded Flipper and three other new SF bands live at Target in February 1980 and Subterranean put out an album which included three tunes by Flipper.

Systematic had a label but my partner was not easily interested in this or that band so I kicked a few hundred dollars to Steve Tupper and we called the first Flipper 45 a Subterranean-Thermidor co-release. At the recording session at Hyde Street in late October 1980 they did five tunes, “Ha Ha,” “Love Canal” (both released as the 45), plus “I Saw You Shine,” “No Tears Wasted,” and “Boom Boom.” It was great to see the live tunes finally go to tape. I’d only been in a recording studio once before in Portland (Neo-Boys), though I had recorded my brother’s band in early seventies at junior high dances on his four-track Dokorder if that counts. So I just watched and listened. I remember being sure that they would go back and clean up that hellacious amp-noise of Ted’s before the tracking began. Boy was I dumb.

The session was great and it was an honor to be there. “Boom Boom” was not then released (another version of it was recorded but unreleased by a post-Flipper band of Will’s called Any Three Initials). All five tunes were recorded one day, and mixed on another day. “Shine,” and “Tears” were later re-recorded for the first album, “Generic Flipper.” At the mix session I remember Bruce laughing with Will and Steve (the ex-Trends) as he told them of calling Craig Gray (ex-Grand Mal, Negative Trend guitarist, and just then turning the final Trend line-up into the Toiling Midgets with ex-members of the Sleepers) after Flipper had recorded to inform him that he had been ripped off. Bruce meant that “Shine” was “Black & Red” reworked, so to speak.




Flipper, live at Berkeley Square, joined by Ricky Williams; photo by Vincent Anton.



I first saw the Toiling Midgets on a Saturday when I walked up to Telegraph Avenue to check the record stores and do some writing at a coffee shop. I heard a band playing from the campus at the end of the street. It was a three-piece grinding out instrumentals in a mid-tempo Stooges style. They had set up on Sproul Plaza and though a lot of students were milling around the campus walkways and the Telegraph Avenue sidewalks were jammed, just about no-one was checking them out. (The late Tim Yohannon was there.) And the Midgets weren’t checking the kids out either. They played with heads down and Craig and bassist Jonathan Henrickson even turned in toward the drummer, Tim Mooney. They were playing outdoors on a sunny day in the middle of UC Berkeley for themselves, as if practicing. That’s as good a picture of the new rock underground’s relationship to youth culture as represented by college students at an elite and allegedly hip California University. It took me a few tunes to guess that they had to be the Toiling Midgets, a new band I had heard about. In essence they were the final line-up of Negative Trend after Will and Steve had left for Flipper and been replaced; then Rik had returned to LA and the band became the Toiling Midgets.

I talked to Craig a bit after they played, and saw them play elsewhere as they added members but I never got to work closely with them. However, Thermidor did release their second album, “Dead Beats,” though that was worked out more by Jon Boshard, an MFA from UCB who started Thermidor with me. The first Midgets album, “Sea of Unrest,” was to have been the first release by the US branch of Rough Trade, which had opened in Berkeley in 1980 in collaboration with Systematic. The London honchos vetoed it on the grounds that it was too damn good. It was then merely manufactured and distributed by RT under the label name, Instant. “Sea of Unrest” features Ricky Williams (Sleepers) on vocals, but by the second album they were essentially an instrumental band (Ricky sings only one new one and a cover of his own Sleepers tune “She’s Fun” on the “Dead Beats” album). Ricky was in the Sleepers, Flipper, and the Toiling Midgets and few today know his name. He died years ago from the toll taken by chemicals on top of his own faulty body chemistry. His death was noted in Rolling Stone; his life hadn’t been. The Midgets are still occasionally together and have recorded great stuff with Mark Eitzel (of American Music Club) on vocals for the Matador label, a Thermidor knockoff.

But returning to the theme of this piece: the “Dead Beats” album closes with an instrumental called “Preludes.” It may be called “Preludes” because “Black & Red” was likely the first tune Craig Gray wrote back in his Grand Mal/Negative Trend days, and “Preludes” though at first quiet and sketchy builds into that same damn riff, here opened up to a simpler progression and more abstractly resounding crescendo. It is Craig returning the song to his own band from Flipper. It is unknown to me whether he called up Bruce to inform him the song had been repossessed.

Will died of an overdose and his death was noted in Rolling Stone; his life hadn’t been. Flipper did an album for Rick Rubin (who had been in a NYC Flipper tribute band, Hose, whose 45 was Def Jam’s first release). The “Generic” album got reissued with major label distribution through the deal; Steve Tupper considered he got hosed on the deal. More recently Flipper recorded a new album with Chris Novoselic of Nirvana on bass. Jack Endino produced and said he had a great time. The Negative Trend EP was reissued by Subterranean as a 12” EP. A great 1978 9-song demo with Rozz on vocals was released as Rozz & Negative Trend by the old White Noize label. Meanwhile, the Sleepers discography was compiled for CD by Tim/Kerr Records. Not much conceded by the marketplace for music of such quality, but then, foolish youngsters that they were, they began their rock and roll ventures from the very point at which the Stooges’ wheels fell off.

Oh yeah, and in ’97 Sony/Columbia’s Legacy CD re-issues of classics out of their vaults suddenly decided they were gonna re-mix “Raw Power” before putting it out. Iggy had declined to mess with it when Henry Rollins offered to set it up after his sound engineer found the album’s multi-track sub-master tapes in Europe. But faced with Sony’s decision he jumped into the project and it finally got the re-mix it deserved (Bass!), along with colorful but diplomatic Iggy liner notes on the convoluted story of the production of the record in 1972-3.

[Inset image: Capture from Negative Trend video "Black & Red"]

Thanks to photographer Vincent Anton for letting us use some very rare shots of Flipper. Check out more of his contemporary work. His biography, his prints, and his battered Leica M2 can be found here.
















Harry Belafonte and Utopian Fantasies

by David Lightbourne



The unholy alliance between Broadway entertainment and Folk music dates to the 1930s. Sonny Terry, legendary blind Carolina harmonica player and shout-singer, made his New York debut in a theatrical production, a leftist depiction of the thirties South. Opera concert giant, Paul Robeson, a black political hero, readily found an audience alongside Pete Seeger at Hootenany-style concerts in the forties.

Both Harry Belafonte and Odetta emerged in the 1950s from stage backgrounds. His “Broadway” Calypso album sold millions in the Mitch Miller-era, when any trace of raw emotion got smothered in mass-culture sucrose, and Broadway musicals reigned as high-end Pop. Odetta’s interpretation of Sea Shanties definitely rocked, she had powerful pipes. And I can see the film: she’s the beloved cook on a whaler, and likes to join in with the concertinas on her big acoustic guitar. But neither Belafonte nor Odetta had any satisfactory understanding of style, relying instead on magnetic stage presence and personal charm. The same with the once ubiquitous Burl Ives, who can best be seen today in the early Audie Murphy western, Sierra (1950), where his character Lonesome is a balladeer-narrator.

Odetta’s recent death prompted obits calling her a civil-rights figure! You can probably hear her fifties releases on whatever Sirius-XM channel plays The Limelighters and The Kingston Trio. The obits offered no guidance as to her music itself. They couldn’t. Meanwhile, Harry Belafonte now expounds exclusively on public issues.

In the land of fifties Pop, Folk musics readily lent themselves to the Man’s game, going down the gullet smooth as syrup. Nobody asked if the melody had legs. New copyrights carpeted the studio floor like silver certificates. The originality, eccentricity, technical brilliance, idiosyncratic style and direct emotion of sources disappeared completely. Go figure. Who knew? It was the Eisenhower era.

From Minneapolis at the end of the 1950s, the political loyalties and utopian fantasies of Eastern Folk audiences looked almost grotesque. In the North Country, you could hear Southern radio at night from Nashville to Helena. And “avant-garde” enclaves of old-music players had begun heroic end-runs around the Pop-Folk and Political-Folk monoliths -- with some success. From Mike Seeger to Koerner, Ray and Glover, suburban America finally got to hear wonderful music that would never -- could not possibly ever -- hit the Great White Way.

After Dylan’s first studio gig, harp back-up for Harry B, he famously bitched about the ridiculous recording process, the endless re-takes, the utter dearth of spontaneity. His focus on theatrical art, thanks to Susie, would soon turn to Brecht.
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David Lightbourne at the Beartree Tavern, Centennial, Wyoming, 2004; photo by Joe Carducci

Additional Lightbourne, from his Introduction to Wyoming Stories

















Drawing by James Fotopoulos
















From the desk of Joe Carducci:


This is the sentiment, but probably not the piece, that Britney Spears deserves. Pop critics would have to be conversant with engineers, writers, producers, and studios to even do as poor a job as they do with rock bands. Lightbourne considers any product of Disney's music school to be fully and utterly scrubbed, but I tell him that it's still possible for these L.A. technicians to come out of these miniature (no high-ceilinged live room) digital-era studios with a gem as often as Nashville's machinery does.

***

Oh ye of little faithlessness: Marx tossed from the Enlightenment!

***

Speaking of Marx, here's a timecapsule Minutemen interview conducted by David McDuff on January 3, 1985 in the basement of the 9:30 Club in Washington, D.C. It's nice to know they were forced to explain who I was in connection with various SST stunts. The Minutemen were the band most fun to work with at SST.

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Mike Watt looks back







From the desk of Chris Collins:

Finland's Secret Hitler Tape [Attn. WWII Otaku]

Germany's intrusion onto the "dark unconquered steppe" of Russia in summer 1941 had its domestic critics. Joachim von Ribbentrop, the Third Reich's foreign minister, was visibly shaken upon hearing the invasion had begun. "Tell them in Moscow that I was against this attack," he said to a Soviet diplomat storming out of his office. (Stalingrad, Antony Beevor, Penguin) Another German official or officer recalled nearly falling down in the shower when he heard someone shouting the news. He knew it was madness.

The Führer, a year into the Russian war without victory in sight, was not blind to the peril. Thanks to the efforts of Finnish intelligence, we have the only known audio of Hitler recorded unawares, as he calmly and long-windedly details his army's woes in the East to his ostensible ally Mannerheim of Finland while on a flying visit to that country to celebrate the leader's birthday. The date was June 4, 1942.

We did not ourselves understand - just how strong this state [the USSR] was armed... [T]hey had the most immense armaments that, uh, people could imagine... We have destroyed - right now - more than 34,000 tanks... If one of my generals had stated that any nation had 35,000 tanks, I'd have said: "You, my good sir, you see everything twice, or ten times. You are crazy; you see ghosts." (Hitler)

The English transcription is here. Hitler frequently stressed to his generals the economic and political pressures he was under and in the recording speaks of his concerns about the vulnerable Ploesti oil fields of Romania, Germany's critical source of fuel. Romania bordered the Soviet Ukraine and Ploesti was at the war's start within range of Russian airfields in the Crimea.

Germany's Army Group Center had the previous winter been repulsed at the outskirts of Moscow. And the 6th Army, as part of Army Group South, was at that moment preparing to embark on Operation Blue, a drive along the River Don toward the Caucasus which would carry it to its doom on the banks of the Volga.

Here is further background on the occasion. (This link plus audio and transcript are from the website of British historian David Irving.)

German newsreel of the visit

[Inset photo: Hitler and Mannerheim, June 4, 1942]
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The novelist creates... an imaginative structure that says to the reader: "This is what life is like. This need never have happened. It doesn't have to happen. ... This is how it could have happened. And the way in which it could have happened will tell us more about the relations between human beings and their lives than trying to find out what the facts are."

-The late Norman Mailer, interviewed by Charlie Rose on PBS, 2007.













To receive a weekly update notice for the NV, send an email to newvulgate[at]sbcglobal.net with SUBSCRIBE in the subject line. To stop receiving notices, do the same with the word UNSUBSCRIBE.

• The New Vulgate
• Joe Carducci, Chris Collins, James Fotopoulos, Mike Vann Gray, David Lightbourne
• Copyright retained by the writer, artist, or photographer